Dr. John, born Malcolm John Rebennack Jr. on November 20, 1941, was an influential American singer, songwriter, and pianist. Known for his distinctive blend of New Orleans R&B, jazz, blues, and rock, he became famous for his “Night Tripper” stage persona, which included voodoo-inspired costumes and theatrics. His breakthrough album *Gris-Gris* (1968) introduced his unique sound and mystical aesthetic. Dr. John’s 1973 album *In the Right Place*, featuring the hit “Right Place Wrong Time,” cemented his reputation. He won several Grammy Awards throughout his career and was inducted into the Rock and Roll Hall of Fame in 2011. Dr. John died on June 6, 2019, leaving a lasting legacy in American music.
1. (Everyone wants to be rich) Rite Away
“(Everybody Wanna Get Rich) Rite Away” is a song by Dr. John, released on his 1974 album *Desitively Bonnaroo*. The song captures Dr. John’s signature New Orleans funk sound, blending elements of R&B, jazz, and rock. With its catchy rhythm and satirical lyrics, the track tackles themes of greed and the pursuit of wealth. The song was produced by the legendary Allen Toussaint, with the Meters as the backing band, and embodies the lively, groove-heavy style that Dr. John is known for. “(Everybody Wanna Get Rich) Rite Away” is a testament to Dr. John’s ability to combine social commentary with stirring music.
2. Babylon
“Babylon” is a song by Dr. John featured on his 1968 debut album *Gris-Gris*. The album marked his transformation into the persona of Dr. John the Night Tripper, blending New Orleans voodoo mysticism with psychedelic rock and swampy blues. “Babylon” embodies this unique style with its haunting melodies, hypnotic rhythms and atmospheric production. The song’s lyrics and sound are steeped in New Orleans’ rich cultural heritage, creating a mystical and otherworldly experience for listeners. “Gris-Gris” and especially “Babylon” established Dr. John as a pioneering artist in fusing traditional New Orleans music with contemporary influences.
3. I walk on gold-plated splinters
“I Walk on Guilded Splinters” is a song by Dr. John, originally released in 1968 on his debut album *Gris-Gris*. The track is known for its hypnotic, voodoo-inspired sound that blends New Orleans R&B, psychedelic rock, and Afro-Caribbean rhythms. Dr. John’s raspy vocals and eerie, atmospheric instrumentation create a dark, mystical mood. The lyrics, full of surreal and cryptic imagery, add to the otherworldly feel of the song. Over the years, “I Walk on Guilded Splinters” has been covered by numerous artists, testament to its enduring influence and status as an epitome of Dr. John’s unique musical legacy.
4. Decided Bonnaroo
*Desitively Bonnaroo* is a 1974 album by Dr. John, known for its vibrant blend of New Orleans funk, R&B, and rock. Produced by the legendary Allen Toussaint and backed by The Meters, the album captures the vibrant and eclectic spirit of Dr. John’s music. The term “Bonnaroo,” which comes from Creole slang meaning “good stuff” or “the best on the street,” reflects the album’s optimistic and celebratory mood. Key tracks include “Quitters Never Win,” “What Comes Around (Goes Around),” and “Everybody Wanna Get Rich Rite Away.” *Desitively Bonnaroo* showcases Dr. John’s unique style and cements his place in the pantheon of New Orleans music legends.
5. Such a night
“Such a Night” is a song by Dr. John found on his 1973 album *In the Right Place*. Written by Doc Pomus and Mort Shuman, the track is a soulful New Orleans-style R&B number that showcases Dr. John’s distinctive piano playing and charismatic vocals. The song’s smooth rhythm and moody lyrics create a nostalgic and romantic atmosphere that reflects the influence of classic R&B and blues. “Such a Night” became one of Dr. John’s signature songs, highlighting his ability to blend traditional styles with his unique musical voice. The track remains a popular part of his catalog and a testament to his influence on American music.
6. Right place, wrong time
“Right Place, Wrong Time” is a song by Dr. John from his 1973 album *In the Right Place*. The song is one of Dr. John’s biggest hits, and is known for its funky groove, catchy melody, and clever lyrics. Written by Dr. John (Mac Rebennack), the track features a distinctive blend of New Orleans funk and rock, highlighted by the tight rhythm section of The Meters and production by Allen Toussaint. The lyrics, which deal with themes of bad luck and timing, are delivered in Dr. John’s signature gravelly voice and laid-back style. The song’s infectious energy and memorable hooks have made it a classic, cementing Dr. John’s reputation as a key figure in New Orleans music.
7. Iko-Iko
“Iko Iko” is a traditional New Orleans song popularized by Dr. John on his 1968 debut album *Gris-Gris*. With its roots in the Mardi Gras Indian tradition, the song features a lively blend of rhythm and song, celebrating the spirit of New Orleans’ Mardi Gras. Dr. John’s rendition is notable for its distinctive groove, evocative lyrics, and incorporation of local cultural elements, including call-and-response vocals and a driving rhythm section. The piece’s infectious energy and celebration of New Orleans’ rich musical heritage have made it a classic, and it remains one of Dr. John’s most recognizable and enduring songs.
8. Always the same
“Same Old Same Old” is a song by The Civil Wars, an American folk duo consisting of Joy Williams and John Paul White. The song appears on their second album of the same name, released in 2013. “Same Old Same Old” is a poignant, introspective track that deals with relationship issues and the cyclical nature of conflict. The song is notable for its haunting harmonies, minimalist acoustic arrangement, and emotive lyrics. The interplay between Williams and White’s voices captures the emotional tension and vulnerability inherent in the song’s narrative, making it a standout track in The Civil Wars’ critically acclaimed discography.
9. New Orleans
“New Orleans” is a song by Dr. John from his 1975 album *Dr. John’s Gumbo*. The album is a tribute to the vibrant and diverse musical traditions of New Orleans, and “New Orleans” is a quintessence of the city’s rich musical heritage. The track features Dr. John’s signature blend of funk, R&B and jazz with a relaxed groove and a rousing rhythm. The lyrics celebrate the cultural and musical heritage of New Orleans, highlighting its influence on Dr. John’s music. The song, like the album, is a tribute to the city, which played a significant role in shaping his unique sound and musical style.
10th Season of the Witch
“Season of the Witch” is a song by Donovan, released on his 1966 album *Sunshine Superman*. Written by Donovan Leitch, the song features a psychedelic folk rock sound, notable for its haunting melody and evocative lyrics. The track deals with themes of transformation and mysticism, using metaphorical language to convey a sense of the changing times and the eerie atmosphere associated with the season. The mix of acoustic guitar, sitar, and Donovan’s distinctive vocals creates a hypnotic and timeless quality. “Season of the Witch” has been frequently covered and remains a classic example of 1960s psychedelic music.
Edward Tomlin is a frequent collaborator with Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us on social media below.
