Venus Williams is the host of the Carnegie Museum of Art’s podcast Widening the Lens, a six-part series that explores the relationship between people, photography, and the environment. That relationship is contextualized, discussed, and analyzed by scholars, artists of diverse backgrounds, and Williams herself.
Some of the artists are also featured in the accompanying exhibition, “Widening the Lens: Photography, Ecology and the Contemporary Landscape,” on view at the Carnegie Museum of Art through January. With this series, Williams adds a new element to her career. Although she is part of the conversation, she does not interrupt the discussions; rather, she enriches them with her narratives and celebrity, adding nuance and perspective. Williams, who returns to the U.S. Open on August 29, spoke to TribLive about her participation in the podcast.
How do you see the intersection between art and environmental justice? In what ways do you think art can influence public perceptions and policies on environmental issues?
Venus Williams: I have learned a lot about the integration of art and our environment. The opportunity to learn how art can be used as a tool for social impact was eye-opening. This case really addresses the most pressing issues of our time, such as how our environment and landscape are changing and that change is not always for the best. I look forward to using this platform to showcase different perspectives from artists of all backgrounds, to inspire audiences and spark discussions about our relationship with the environment, our complicity in what is happening and how we can adapt and change the conversation.
In the podcast, geologist Marcia Bjornerud brings up the idea that constant change is the norm and that landscapes are not static and change is not necessarily bad. Why is it important that we as a society adapt within our own practices?
Williams: This podcast encourages listeners to rethink their perspectives as we reimagine our relationship with the land and the environment and make those connections. It is also an opportunity to look at our environment, appreciate it, and understand the deeper meanings behind its changes.
What particularly appealed to you about this podcast?
Williams: My partnership with Carnegie was born out of shared interests. I love the arts and have had many opportunities to get involved in them, but I never thought this would happen. Justice for our environment is vital because it is also justice for ourselves, our future, and all life forms on this planet. I have played tennis for a long time, but now I have the opportunity to do something that is very important, not just for me, but for everyone.
Was the environment an important issue for you growing up in California?
Williams: I think we all grew up with the context that we face in terms of our environment – global warming, habitat loss, pollutants, landscapes that no longer exist. But there are also amazing stories of reforestation and reintroducing animals to their habitats. While there are success stories, there are also stories that make you fearful of what is going to happen in the world. I think a lot of it is just denial and thinking, “I can’t be a catalyst for change. What can I do? I’m just one person.” But the beauty of all these 20 artists, scientists, writers and thinkers is that they are doing something. This is not the time to be afraid or to put it on the back burner and think someone else will take care of it.
How has your relationship with the environment developed over the course of your career as an athlete? Do you see yourself as an artist?
Williams: I admire artists. I think tennis is a very artistic sport. It’s a gladiator sport where you’re constantly thinking about how to make a point to ultimately be the champion. I’ve had the opportunity to travel the world, experience many different cultures and visit different museums, which has been incredible. Ultimately, tennis has given me the platform to be where I am now, to be part of this opportunity with Carnegie and these artists and to give a voice to our environment.
Do you have any future projects planned that will continue to explore the relationship between art, environmental justice and sport?
Williams: I hope there’s a part two. Personally, I think this should be a sequel. I was deeply moved. I think everyone who hears it will be too. I hope I can be a part of something in the future.
The podcast covered a variety of topics, including spirituality and the idea of impression versus impact, which artist Dionne Lee spoke about. Was there an episode that particularly resonated with you?
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Williams: Yes, Raven Chacon wrote a beautiful song and we heard Sage Bond sing it on the podcast. The songs were so beautiful, moving and thought provoking. I think everyone should have the opportunity to hear it. It was definitely one of my favorite moments.
Was there one thing you took away from this participation?
Williams: Art is incredibly powerful in ways we could never have imagined. Art has recorded our history and played a significant role in our world, including politically. The social impact that art can have on the most pressing issues of our time, such as our environment, is enormous.
In the last episode of the podcast, William Fox, poet and curator, mentions the idea that the Earth is constantly taking a selfie through our collection of photographs and digital snapshots. What do you think about this?
Williams: This was super interesting and I think it has something to do with how we process and process information today. This is important. We need to take the best selfie on earth through our actions and preserve it for future generations.
Princeton art history professor Rachael DeLue brought up the idea that climate change is too big for humans to handle, an overwhelming concept that can make people feel disconnected. What do you hope people take away from the podcast and how do you hope they feel more connected to the issues at hand?
Williams: I hope it starts a dialogue because the first step to change is to have that dialogue, to raise awareness and to encourage people to be part of the conversation and the solution. Advocating for personal change is definitely in my personal interest, and it’s in everyone’s interest. Photography is a wonderful way to do that.
Shaylah Brown is a TribLive reporter covering arts, culture and communities of color. The New Jersey native joined the Trib in 2023. When she’s not working, Shaylah immerses herself in the world of art, wellness and the latest romance novels. You can reach her at [email protected].
